This massive ( 15 by 25.5 feet) painting is both stunning in size and theological impact. Originally the painting hung in a French Abbey and contained a larger domed top that depicted the Holy spirit as a dove, but that portion was not transferred to the Louvre. While there are countless paintings of the Pentecost, as represented in Acts II, this piece stands out in its drama, emotion, and spiritual symbolism. As the Holy Spirit descends and rests as a tongue of fire on those gathered to pray in the upper room, there are a myriad of reactions. People's faces and body movements create a flurry of activity and emotions, some are in awe, some hide away, and some bow in reverance. The viewer's eye is drawn immediately to Mary, the mother of God, who stands calm and fully receptive of the gift of the Holy Spirit. The beams of light casting from heaven are focused mostly on her. Her straight posture surrounded by pillars on both sides reflects her position as a pillar in the early Church.